My life has many chapters and passages, all interlinked by a strong passion for music which really began thanks to my Mother and Father constantly having music alive in the house, probably to bury the noise created by a house full of kids running around, as we grew up.
A diet of music so varied from Glenn Miller, Nat King Cole, Elvis Presley, The Beatles, Rolling Stones, Dusty Springfield, Tom Jones, The Ink Spots, Motown with Diana Ross, Stevie Wonder and The Temptations, the Mama's & Papa's, Simon & Garfunkel, my Mum's Soul albums, the Radio always on in the morning, Sunday night Top 40 countdown on Radio 1, Dad singing Give Me Land Lots Of Land But Don't Fence Me In or Nat King Cole's 'Mona Lisa' in the car, all setting a life long impression, some say obsession but a good one never the less.
One stand out song is "Nature Boy" by eden ahbez, an eight week # 1 hit for Nat King Cole in 1948, long before I was born though the lyrics kind of mirrored my life in music. I discovered recently that my Dad, Doug Gordon, spent a few years in San Bernardino, Southern California during the early 50's when Nate King Cole songs were constantly played on the many AM radio stations of that era. when radio was the power medium before everybody had a TV in the home. Which explains his frequent desire to sing Nat King Cole songs when ever he was in a good mood or driving. No-doubt remembering his days in the Californian sunshine with the radio playing in his car. I can so relate to that :-) We played Nat King Cole's "Unforgettable" at his funeral on 2nd March 2000.
Eden Ahbez & Nat King Cole below. The international inspirational chain of music to unite people. Eden (born to a Jewish father and a Scottish-English mother) his Californian written song "Nature Boy", sung in 1948 by an African American legend (Nat), loved by an Anglo Indian immigrant in the US (Doug Gordon born to a Scottish-English father and Indian-Irish mother) who, once he's deported from the US, plays the song for years in the UK which inspires his stepson (an English lad Eddie) into the mystic wonder of music, who 65 years later works with the Grammys back in California. (FYI - Nat King Cole's elder brother was called Eddie!)
There was a boy
A very strange enchanted boy
They say he wandered very far, very far
Over land and sea
A little shy
And sad of eye
But very wise, Was he
And then one day
A magic day he passed my way
And while we spoke of many things, fools and kings
This he said to me
"The greatest thing
You'll ever learn
Is just to love
And be loved, In return"
Returning back to the story. My
life in my home town Gravesend was exceptional in as much as I felt I
'knew' the majority of the 92'000 population by the time I was 32 years
old due to going dancing and DJ'ing in the town for nearly 16 years
playing to all ages in every hall or club be it my own promoted nights
or the first ever BBC Radio 1 nights at Woodville Halls Civic Centre
with 1500 teenagers going nuts or Birthday parties, Weddings and Under
18's nights over the years.
The love I received from the town was an amazing experience and I now look back with fond gratitude that I was raised in Gravesend because it had a unique love of music. Many times over the years DJ's who were not from Gravesend have made a comment about loving playing in the area because "the people really know their music." Odd really because it was such an uncompromising industrial town on the river Thames, but like the cities of Detroit, Philadelphia, Seattle, Miami, Nashville and New York or The Bronx - there was something in the spirit of the people who lived in the Gravesend area, they demanded cool and interesting music.
Some of the biggest players in the UK music industry these last 20 years were born and raised like myself in Gravesend and certainly every DJ worthy of note from 1985 to 1995 came willingly to play to the town's unique music lovers. The reason I believe for this raw talent being raised in one town was due to the fact that there was not one big major commercial nightclub dictating the music policy of the town say like Flicks in Dartford or The Regency in Gillingham. The local Gravesend authorities would refuse to grant a late night license to the club organisations to keep a tight control over the town's people at night. (We changed that soon enough).
history often shows, the people find their own way - under the radar -
you can't stop the music. Gravesend's local DJ's found venue's in the
surrounding villages or on the edge of town and built their own nights
all over the area thus creating a myriad of different musical tastes
and an entrepreneurial spirit to presenting music entertainment.
As touched on, the people of Gravesend grew up loving their multi diet of Soul, Funk, Jazz and Reggae music, they fully embraced the new Hip Hop, House, Rave, Drum & Bass era's and would vote with their feet if you tried to be too obvious with commercial music. To be born as a DJ in this attitude where the unexpected was required kept you fully on your toes musically.
From being a Gravesend DJ to the Grammy's. My work took that Gravesend music spirit and swept it around the planet lighting up a revolution called Dance Music with the birth of the longest running mix program in world Radio, the weekly BBC Radio 1 Essential Mix Show my idea (and produced by me for the first 8 years) now 25 years on the BBC and worldwide. Also my work as Pete Tong's manager for 2o years from '84 put him on his BBC Radio 1 mantle to speak to the world about dance music these last 25 years and took the music from the town to all corners of the Globe and look at that revolution now - truly a $6 Billion yearly industry.
These last 9 years in Los Angeles, I have been lucky enough to be included on the USA Grammy panel for Electronic Dance Music in Los Angeles, California. Helping to pick the winners every year. In 2014 Daft Punk with Georgio Moroder and Nile Rodgers, was one set of Grammy winners that came out of our room. Which was a full circle moment as 17 years earlier I featured them on the BBC Radio 1 Essential Mix Show in 1997 when they were still an unknown act except for a few industry sets of ears.
I sit here I can reflect back with gratitude at the
extraordinary opportunities that I have been blessed with over the
years and the wonderful people who have allowed me to assist their work
in the music business. I would like to give a special mention to the following for
allowing me to work directly with their music in no particular order
Lamont Dozier, Lonnie Liston Smith, Diana Ross, Donna Summer, Dina
Carroll, Eternal, Lisa Stansfield, The Temptations, Stevie Wonder, En
Vogue, Quincy Jones, Maurice White and Earth Wind & Fire. Anybody
who knows my music love's will tell you that list of luminary's would
cover a wish list for me personally. As I said, I've been a very lucky guy.
Along the various paths I have traveled the world met some incredible people and received a lot of love for which I am deeply thankful and there are many people I have to thank across the varied parts of my work from DJ'ing, to journalism, to remixing records, working for record companies, my work for BBC Radio 1 and the life of an international music business person right up to date with the digital era we now live in, so I have attempted to remember as much as I could by separating the stages as they progressed.
I have a few theories on life having
journeyed this far and they must be viewed as my personal take on the
confusion that is life in today's world which is ruled by money and
not, unfortunately, the love of living. Some of these views will not be
accepted by others, some will be expanded upon and some will give you
pause for thought before rejecting out of hand or whole heartily
I have tried hard to hold to my motto of "smile at your successes but be sure to shake hands with your mistakes too" and be an honest human by personally thanking all that have helped me along the way, especially those dear to me, including Gabor and Anita from Hungary who painstakingly built this platform for me to tell my story. My vision as usual is focused on the horizon rather than staring down at my shoes and its this focus that has got me this far in life, a blessed life.
The photo below are my records being shipped on this vessel below, the NYK-Meteor, from Southampton in the UK to the USA down the North Atlantic Ocean through the Panama Canal and up the North Pacific Ocean to Long Beach, California where literally thousands of these coloured rectangle containers are stored with their contents awaiting delivery to their destination. It's an incredible feat of human organisation when you see the Long Beach docks with the containers coming in and going out all around the world. Amazing to think my Beatles albums and Disco 12"s are out there in the wild winds of the earth's oceans. "Let Me Take You On A Sea Cruise"
Below is my daughter Olivia (8 years old) feet in the ocean, watching the sun set over the Malibu mountains in California - the apple doesn't fall far from the tree with her and me. The wonderment of music and nature..
Contact - email@example.com
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