
Westend delivered on this track for Eternal with R&B amnd House remixes that took the girls back into the Top 10 and to No.1 in the UK Club Charts again.
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I gave Pete Waterman the first chance to sign Eternal, then, after months of contract talks, he pulled out on the morning of the signing leaving the teenage girls with thousands of pounds in legal bills to pay. In the same week it was reported in the newspaper that he had invested GBP300k on Koi Carp! He said it was because Eternal would never sell a record. The girls went on to sell FOUR million albums before retiring to have families. The debut single Stay was the first hit right out of the box. Eternal were created after working with En Vogue so successfully. Another hit idea but with a group of girls who were no puppets - Esther could really sing her ass off. Great days. All the next generation of girl groups like the Spice Girls were born out of the success of this project plus the others that followed SugerBabes, AllSaints, Mystique, Girls Aloud etc etc etc. The path was laid out for them but the best by miles were En Vogue.
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The record that broke Dina, finally, and it was the Westend remix that ignited the Radio support for her - such a funky little track too - Dina was fantastic to work with in the studio, in clubs and hanging out at the bar - her favorite place. Well done Wolfe :-)
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One of our best Westend remixes with four basses running together in the last third of the record - a masterpiece mix for a great song by a great singer
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In 1988's I was lucky enough to remix Bobby Brown's Don't Be Cruel with Timmy Regisford and Boyd Jarvis in New York in a studio next to the famous Studio 54 Nightclub it was my first ever creative time in a recording studio. I didn't know my way around all the gear but knew what I wanted to do to the record which was to get a bigger snare drum, change the bassline, pushed the song out stronger by moving the angelic orchestral part from the middle 8 to the Intro to set up it up for UK radio. The first time I heard it on BBC Radio 1 in the daytime I was like "oh my god that mix we did is on the Radio!". MCA Records put a huge push on breaking the project in the UK after and put my name on the front of the sleeve. Thank you Adrian Sykes. Timmy Regisford was instrumental in me joining Motown Records later too, he is a true music man with his weekly club The Shelter in Manhattan, New York playing House, Gospel music.
Below is the orginal USA video to watch - happy days
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